Mark Rylance plays an average joe flung into the spotlight in Craig Roberts’ good-natured but bland comedy.
This year’s LFF programme comprises 39 per cent female and 40 per cent ethnically diverse directors/creators.
Craig Roberts’ second feature, about a woman copying with schizophrenia, allows us to share its protagonist’s experience.
Sally Hawkins excels as a woman searching for stability in Craig Roberts’ off-kilter second feature.
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