Director Sam Raimi injects some much needed personality into Marvel’s latest brand-building exercise.
By Erik Nielsen
An affluent couple plot an audacious diamond heist in the Covid movie absolutely no one needed.
Nisha Parti and Indira Varma discuss their experiences in the industry, and why they’re optimistic for change.
The shortlist was too short for Monos and these other standouts from 2019.
Jon Favreau’s update of Disney’s animated epic shows the studio’s remake philosophy is not so problem free.
Chiwetel Ejiofor steps behind the camera for this Netflix-backed true story of human survival.
By Rory Marsh
Our preview of the streaming site’s upcoming slate includes a Paul Rudd doppelgänger comedy and a dark update of Groundhog Day.
By Elena Lazic
Faux feminist biblical revisionism abounds in Garth Davis’ humdrum religious drama.
At long last – a light, funny superhero movie that embraces the fantasy aspects of the genre in both its story and form.
The likes of Sidney Poitier and Denzel Washington are being celebrated via a nationwide programme of events.
Laying siege to Earth’s most beloved locations, this is Roland Emmerich’s most perfect replica of the disaster flicks of the 1970s.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
