By Dan Einav
Sergio Leone’s landmark western, which turns 50 this year, is a fascinating product of its time.
The film’s glamorisation of vigilante justice resonated with an increasingly paranoid audience in 1974.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
