Bradley Cooper's much-feted drama about legendary composer and conductor Leonard Bernstein proves an underwhelming exercise in by-the-book biographical drama.
Carey Mulligan is into taking risks, and her role as Cassie Thomas might just be her biggest one yet.
The writer/director shares her love of Paris Hilton and her frustrations with the way we talk about women in film.
A ferocious lead turn by Carey Mulligan super-charges this shocking, outspoken debut that pulls none of its punches.
Carey Mulligan shines in this dour archeological drama on the discovery of the Sutton Hoo historical payload.
Our spring issue celebrates first-time director Emerald Fennell’s scorching black comedy.
Carey Mulligan is on blistering form in Emerald Fennell’s darkly comic, provocative debut feature.
The teaser for Killing Eve showrunner Emerald Fennell’s debut features a cover of Britney Spears’ ‘Toxic’.
The long-time actor, first-time director sits down with us to talk about his sublime debut feature, Wildlife.
Paul Dano makes his directorial debut with a poignant character study set in 1950s Montana.
Carey Mulligan plays a lovelorn 1960s housewife in the actor’s impressive directorial debut.
Two men return from war only to be confronted by racism in Dee Rees’ vital and sprawling American epic.
Carey Mulligan shimmers in an otherwise fairly ordinary adaptation of the Thomas Hardy classic.
Steve McQueen’s erotically-charged descent into sex addiction is by turns raw, elegant and uncompromising.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
