What appears as a fun robotic slasher lark turns out to be a deathly dull rip-off of various trauma-based horror yarns which fails to deliver in either the serious or silly stakes.
It’s Liberal Elites versus Red Staters in Craig Zobel’s long-delayed horror-satire. The wait was hardly worth it.
By Anton Bitel
This retro-styled slasher from first-time director Dallas Jackson has a distinctly modern flavour.
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