Recent entries to the subgenre of found footage horror attest to its appeal to queer filmmakers and audiences alike.
By Anton Bitel
Stefan Avalos and Lance Weiler’s 1998 horror mockumentary The Last Broadcast predates The Blair Witch Project.
By Anton Bitel
The long-awaited horror sequel no one saw coming is here – and it’s scary as hell.
Directors Eduardo Sánchez and Daniel Myrick tell the story of how their freshman film project became a cultural phenomenon.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
