Alfonso Cuarón

At the Oscars, new rules for Netflix and international films

By Charles Bramesco

Streaming isn’t going anywhere any time soon – and there’s a change in the Best Foreign Language Film category.

Alejandro González Iñárritu announced as President of the 72nd Cannes Film Festival

By Adam Woodward

The acclaimed director becomes the first Mexican artist to receive the honour.

BAFTA and the Academy are wrong to relegate technical awards

By Beth Webb

By denying the winners airtime, these major events are discrediting those at the very heart of the craft.

Five things we learned from the 2019 Oscars nominations

By Charles Bramesco

Key takeaways from this year’s slate of Academy selections.

The 76th Golden Globes – a night in soundbites

By Charles Bramesco

Silly, stirring, or sage, here are the evening’s choice quotes.

The 30 best films of 2018

By Little White Lies

Our annual countdown of the movies that made the biggest impression on us this year, from Hereditary to The House That Jack Built.

The fractured masculinities of Alfonso Cuarón

By Megan Wallace

The Mexican director’s early Spanish-language films offer vital dissections of the male ego.

Watch: Alfonso Cuarón In Colour

By Luís Azevedo

In a new video essay, Luís Azevedo takes us on a journey through the Mexican filmmaker’s colourful worlds.

Alfonso Cuarón: Observe the Moments

By Adam Woodward

The Mexican writer/director describes coming home to make Roma, his most profoundly personal film to date.

Roma

By David Jenkins

Alfonso Cuaròn’s monumental love poem to Mexico and the woman who made him a man.

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LWLies 77: The Roma issue – On sale now!

By Little White Lies

Our latest print edition pays tribute to Alfonso Cuaròn’s personal ode to movies, Mexico and the woman who made him a man.

Roma – first look review

By David Jenkins

Alfonso Cuarón delivers his masterpiece with this stunning social fresco centred on a house maid in 1970s Mexico City.

The 2018 BFI London Film Festival line-up has been announced

By Little White Lies

Big names, hidden gems and arthouse favourites head to the capital this October.

25 new films to look out for this awards season

By Lillian Crawford

Barry Jenkins, Damien Chazelle and Yorgos Lanthimos all look like early contenders for major awards.

25 films we’d like to see at the 2018 Cannes Film Festival

By Little White Lies

Claire Denis, Yorgos Lanthimos and Terrence Malick could be competing for this year’s Palme d’Or.

How Children of Men took us through the looking glass

By Luke Walpole

Alfonso Cuarón’s film was released in 2006 and is set in 2027, so why does it feel so relevant today?

Gravity

By David Jenkins

The trailers were right for once – Alfonso Cuarón’s disaster movie set in space is one of the year’s best.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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