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A group of musicians performing on stage, with guitars, drums, and a man singing into a microphone. The stage is dimly lit with red and white lighting, creating a dramatic and intense atmosphere.
Review

Meet Me in the Bathroom

by Ed Gibbs

New York’s pre‑9/​11 music scene is revis­it­ed in this suit­ably lo-fi doc­u­men­tary from the mak­ers of Shut Up and Play the Hits.

4
Anticipation
4
Enjoyment
4
In Retrospect
A group of musicians performing on stage, with guitars, drums, and a man singing into a microphone. The stage is dimly lit with red and white lighting, creating a dramatic and intense atmosphere.
Festivals

Meet Me in the Bathroom – first-look review

by Ed Gibbs

New York’s pre‑9/​11 music scene is revis­it­ed in this suit­ably lo-fi doc­u­men­tary from the mak­ers of Shut Up and Play the Hits.
Smoke and debris billowing from buildings in an urban environment.
Festivals

20 years on, can cinema teach us anything new about 9/11?

by Thomas Flew

At this year’s Sheffield Doc/​Fest, a trio of doc­u­men­taries revis­it­ed the events of that fate­ful Sep­tem­ber day.
Two men in formal attire standing together in a richly decorated room.
Festivals

Worth – first look review

by Ege Apaydın

Michael Keaton plays a lawyer tasked with putting a val­ue on human life in Sara Colangelo’s post‑9/​11 drama.
Woman wearing glasses and colourful top, pensive expression.
Review

The Report

by Hannah Strong

Scott Z Burns’ vital polit­i­cal dra­ma inves­ti­gates the CIA’s post 9⁄11 Deten­tion and Inter­ro­ga­tion Program.

4
Anticipation
4
Enjoyment
4
In Retrospect
A man wearing a black leather jacket standing on a city street with people and buildings in the background.

Avengers: Endgame brings superhero cinema’s 9/11 obsession full circle

by Al Horner

The con­clu­sion to the MCU’s Infin­i­ty Saga brings a sense of clo­sure two decades in the making.
A man in a suit sits at a desk, looking at photographs and documents.
Festivals

The Report – first look review

by Hannah Strong

Adam Dri­ver inves­ti­gates the CIA’s con­duct post‑9/​11 in this grip­ping polit­i­cal drama.
A man in a black suit and tie, with a furrowed brow, looking stern against a brick wall backdrop.
Incoming

Pablo Larraín to direct Tom Hardy drama The True American

by Eve Watling

The Chilean film­mak­er is set to adapt the true-sto­ry of post‑9/​11 ​“Arab Slay­er” Mark Antho­ny Stroman.
Woman with long brown hair wearing a grey cardigan, sitting at a desk and looking thoughtful.
Review

Margaret

by Ashley Clark

Anna Paquin is on career-best form in this impor­tant post‑9/​11 movie with its own trou­bled mythology.

4
Anticipation
3
Enjoyment
3
In Retrospect