On Location

Young woman in flowing white garment, surrounded by flowering plants, with other people in background.
On Location

On Location: The church ruins from The Blood on Satan’s Claw

by Adam Scovell

Adam Scovell visits the scene of one of the most disturbing moments in the history of British horror cinema.
A man in a dark coat leans against a stone wall, looking intently off-camera.
On Location

On Location: Harry Lime’s Vienna in The Third Man

by Adam Scovell

Retracing the steps of one of film noir’s most iconic characters through the Austrian capital.
Black and white image of a person walking away from the camera in a rural landscape with trees and a fence.
On Location

On Location: The London park from Michelangelo Antonioni’s Blow-Up

by Adam Scovell

Maryon Park in Charlton lies at the beguiling centre of the Italian director’s psychological mystery.
Narrow alley between stone buildings, graffiti on wall, two dogs in foreground.
On Location

On Location: The title sequence from Jacques Tati’s Mon Oncle

by Adam Scovell

The Parisian town of Joinville provides the backdrop to the French director’s 1958 masterpiece.
A black-and-white image showing two people walking in a courtyard setting with a large, ornate building in the background and trees lining the courtyard.
On Location

On Location: The final shot from Agnés Varda’s Cleo from 5 to 7

by Adam Scovell

Paris’ Boulevard de l’Hôpital provides the setting for one of the most cherished endings in French cinema.
Two individuals, a woman in a colourful skirt and a man in casual clothes, walking on a wooden deck near a stone building with arched windows.
On Location

On Location: The footbridge from Richard Linklater’s Before Sunrise

by Adam Scovell

This unassuming overpass plays a pivotal role in Céline and Jesse’s Viennese waltz.
Ornate red-brick building with arched entryway, Gothic-style architectural details, and frosted glass windows.
On Location

On Location: The dance academy from Dario Argento’s Suspiria

by Adam Scovell

A pilgrimage to one of the grandest and most iconic settings in all of horror cinema.
Three figures running down a narrow alley, dressed in clothing typical of the 1930s or 1940s.
On Location

On Location: The bridge from Jules et Jim

by Adam Scovell

This grey structure in the centre of Paris provided the Nouvelle Vague with one of its most iconic images.
Imposing castle with towers, turrets and arched bridge reflected in still water, set against cloudy sky.
On Location

On Location: The Norman castle from Kind Hearts and Coronets

by Adam Scovell

This historic fortress is the scene of some unsavoury goings on in Robert Hamer’s classic Ealing comedy.
Lush greenery covers buildings in a European city street with parked cars and pedestrians.
On Location

On Location: The house from Michael Haneke’s Hidden

by Adam Scovell

The Austrian director’s 2005 thriller is built around the mystery of place, as a visit to this Parisian setting revealed.

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