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Caught by the Tides review – moving, stirring, brilliant

By Esther Rosenfield

Jia Zhangke’s first feature in six years is a sweeping epic anchored by the captivating Zhao Tao, his muse and most frequent collaborator.

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Sinners review – links the past and present with music and blood

By Kambole Campbell

Finally free from the Marvel machine, Ryan Coogler delivers the goods and then some with his music-powered, genre-splicing latest.

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Misericordia review – Chabrol would have approved

By Thomas Dawson

Alain Guiraudie defies neat categorisation with his shapeshifting eighth feature about morality, crime and queer desire.

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The Stimming Pool review – a unique, enchanting experience

By Alex Hopkins-McQuillan

The Neurocultures Collective and Steven Eastwood present a world perceived through autism in this wonderfully experimental, hybrid endeavour.

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La Cocina review – powered by Raúl Briones’ manic performance

By Hannah Strong

Tensions flare between front of house and kitchen staff in Alonso Ruizpalacios' Times Square restaurant-set drama.

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Flow review – cat’s entertainment

By Hannah Strong

A small grey cat embarks on a big adventure in Gints Zilbalodis' charming Oscar winner.

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The Rule Of Jenny Pen review – a stand-out ageing horror

By Billie Walker

A former judge finds himself confined to a nursing home where a sinister puppet rules the roost in James Ashcroft's effective horror.

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Sister Midnight review – a droll, strange, cool freak of a film

By Anton Bitel

Karan Kandhari’s film about a misanthropic newlywed giving into her feral impulses is an unpredictable, genre-bending delight.

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Ernest Cole: Lost and Found review – a vital piece of cine-portraiture

By Lucy Peters

Filmmaker Raoul Peck unearths the searing social realist photographs of an artist whose work was thought to be lost.

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Mickey 17 review – gross and heartwarming in equal measure

By Hannah Strong

Robert Pattinson stars as a so-called expendable in Bong Joon Ho's hotly anticipated follow-up to Parasite, facing off against perma-tanned megalomaniacs and croissant-shaped creatures.

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I’m Still Here review – memory as resistance

By Rafa Sales Ross

Walter Salles returns to narrative filmmaking with a sensitive depiction of the forced disappearance of former congressman Rubens Paiva, and the devastation his family faced.

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The People’s Joker – you have to see it to believe it

By Violet Lucca

A glorious, multifarious and modern rethink of the coming of age story as filtered through superhero movies, stand-up and the trans experience.

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Bring Them Down review – a chilling neo-western

By Hannah Strong

Tensions reach fever pitch in a rural Irish farming community in Christopher Andrews' fierce feature debut.

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The Colours Within review – hits with the power of a dodgeball

By Josh Slater-Williams

Anime director Naoko Yamada returns with a wonderful coming-of-ager set in a Catholic girls' boarding school.

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Hard Truths review – incredible in small, measured strokes

By Mark Asch

Reuniting with Marianne Jean-Baptiste, Mike Leigh makes a welcome return to contemporary filmmaking with a searing portrait of a woman on the brink.

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Presence review – an enjoyably swift chiller

By Manuela Lazic

Steven Soderbergh plays with the cinematic form to craft a compelling story about family dynamics and grief.

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The Brutalist review – gorgeous, capital-C Cinema

By Hannah Strong

Adrien Brody is phenomenal in Brady Corbet's sublime three-and-a-half hour drama, as a Jewish architect arrives in post-war America to a hostile new world.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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