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Along Came Love review – an intimately epic love story

By Sophie Monks Kaufman

Katell Quillévéré’s poetic French period drama is powered by an understated chemistry between Anaïs Demoustier and Vincent Lacoste.

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The Phoenician Scheme review – an absolute gas

By David Jenkins

A charming arms dealer heads on the road to redemption in this pristine shot of pure pleasure from filmmaker Wes Anderson.

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Final Destination: Bloodlines review – an absurd, grotesque film for our absurd, grotesque times

By Hannah Strong

Death comes a-calling once more in this long-overdue sixth instalment into the most morbid horror franchise around.

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It’s Not Me review – an innovative homage to Carax’s main muse

By David Jenkins

Leos Carax delves through his own personal archive in this glorious essay film that’s in thrall to Jean-Luc Godard.

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Cloud review – all-time bleakest episode of Only Fools and Horses

By Josh Slater-Williams

Kiyoshi Kurosawa’s latest treads similar thematic territory to his prescient 2001 cyberhorror, through the prism of an e-commerce, vengeance-fuelled thriller.

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April review – eerily elusive, superbly acted and crafted

By Rafa Sales Ross

Dea Kulumbegashvili’s stark Georgian drama follows an obstetrician who moonlights as an abortionist, as she is accused of interfering with her patients.

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Caught by the Tides review – moving, stirring, brilliant

By Esther Rosenfield

Jia Zhangke’s first feature in six years is a sweeping epic anchored by the captivating Zhao Tao, his muse and most frequent collaborator.

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Sinners review – links the past and present with music and blood

By Kambole Campbell

Finally free from the Marvel machine, Ryan Coogler delivers the goods and then some with his music-powered, genre-splicing latest.

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Misericordia review – Chabrol would have approved

By Thomas Dawson

Alain Guiraudie defies neat categorisation with his shapeshifting eighth feature about morality, crime and queer desire.

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The Stimming Pool review – a unique, enchanting experience

By Alex Hopkins-McQuillan

The Neurocultures Collective and Steven Eastwood present a world perceived through autism in this wonderfully experimental, hybrid endeavour.

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La Cocina review – powered by Raúl Briones’ manic performance

By Hannah Strong

Tensions flare between front of house and kitchen staff in Alonso Ruizpalacios' Times Square restaurant-set drama.

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Flow review – cat’s entertainment

By Hannah Strong

A small grey cat embarks on a big adventure in Gints Zilbalodis' charming Oscar winner.

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The Rule Of Jenny Pen review – a stand-out ageing horror

By Billie Walker

A former judge finds himself confined to a nursing home where a sinister puppet rules the roost in James Ashcroft's effective horror.

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Sister Midnight review – a droll, strange, cool freak of a film

By Anton Bitel

Karan Kandhari’s film about a misanthropic newlywed giving into her feral impulses is an unpredictable, genre-bending delight.

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Ernest Cole: Lost and Found review – a vital piece of cine-portraiture

By Lucy Peters

Filmmaker Raoul Peck unearths the searing social realist photographs of an artist whose work was thought to be lost.

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Mickey 17 review – gross and heartwarming in equal measure

By Hannah Strong

Robert Pattinson stars as a so-called expendable in Bong Joon Ho's hotly anticipated follow-up to Parasite, facing off against perma-tanned megalomaniacs and croissant-shaped creatures.

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I’m Still Here review – memory as resistance

By Rafa Sales Ross

Walter Salles returns to narrative filmmaking with a sensitive depiction of the forced disappearance of former congressman Rubens Paiva, and the devastation his family faced.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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