LWLies 70: The Dunkirk issue | Little White Lies

LWLies Magazine

LWLies 70: The Dunkirk issue

23 May 2017

Silhouetted figure in foreground, surrounded by crowd of smaller silhouetted figures, with naval vessels and explosions in background. Composition uses strong contrasts of light and dark, and layered figures.
Silhouetted figure in foreground, surrounded by crowd of smaller silhouetted figures, with naval vessels and explosions in background. Composition uses strong contrasts of light and dark, and layered figures.
Life’s a beach as we take a deep dive into Christo­pher Nolan’s wartime sus­pense saga.

We like the fact that issue 70 of Lit­tle White Lies mag­a­zine is ded­i­cat­ed to a film that was shot on 70mm film. The direc­tor Christo­pher Nolan is a stick­ler for prac­ti­cal, tan­gi­ble film­mak­ing, and his lat­est, Dunkirk, advances that bold per­son­al vision.

It’s the sto­ry of the 1940 Dunkirk evac­u­a­tions, where 400,000 Allied trapped sol­diers had to yomp to safe­ty in order to avoid the aggres­sive advance of Nazi occu­piers. Nolan has said that this is not a war movie, but more of a sus­pense thriller set in the midst of con­flict. Once more, the tick of the clock acts as his north star as chaos slow­ly but sure­ly is turned into order.

Book cover featuring a woman with dark hair and text "Little White Lies" and "Decision as leave".

Field Mar­shal Nolan
An in-depth con­ver­sa­tion with one of the world’s most excit­ing and suc­cess­ful film direc­tors: Christo­pher Nolan.

Dis­patch from Dunkirk
A report from the front line of Christo­pher Nolan’s wartime epic.

Prac­ti­cal Mag­ic – A Man­i­festo
The Bad­lands Col­lec­tive offer up six sim­ple ways to fight for the future of film.

Father Dear­est
Ex-Rent Hell takes a deep dive into that most elu­sive and of cin­e­mat­ic sub-gen­res: the Dad Movie”.

Threads #2
A new fash­ion col­umn look­ing at movies through the prism of cloth­ing. This issue’s focus: the B3 Avi­a­tor Jacket.

We Were Sol­diers
Pre­vi­ous­ly unpub­lished pho­tog­ra­phy from the set of Stan­ley Kubrick’s Full Met­al Jacket.

Sofia Cop­po­la dis­cuss­es her steamy slice of south­ern goth­ic, The Beguiled; inter­view by Sophie Monks Kaufman

Bong Joon-ho opens up on his mon­strous food indus­try satire, Okja; inter­view by David Jenkins

Aki Kau­ris­mä­ki tells us about The Oth­er Side of Hope with a 10am tip­ple in his hand; inter­view by David Jenkins

Daniel Clowes talks up the new adap­ta­tion of his graph­ic nov­el, Wil­son; inter­view by Charles Bramesco

Michaël Dudok de Wit explains how he made The Red Tur­tle with the help of Stu­dio Ghi­b­li; inter­view by David Jenkins

Red light: Green light, a festival of radical film from inside the system. Black and yellow text and graphics on a grey background.

Edgar Wright makes the dream get­away with Baby Dri­ver, reviewed by Charles Bramesco

Ben Young remem­bers that ser­i­al killers have sig­nif­i­cant oth­ers in Hounds of Love, reviewed by Manuela Lazic

Nick Broom­field laments the sud­den death of Whit­ney Hus­ton in Whit­ney: Can I Be Me, reviewed by Sophie Monks Kaufman

Slack Bay (Bruno Dumont) reviewed by Phil Con­can­non
The Tree of Wood­en Clogs (Erman­no Olmi) reviewed by Glenn Heath Jr
Stock­holm My Love (Mark Cousins) reviewed by Eve Watling
The Death of Louis XIV (Albert Ser­ra) reviewed by David Jenk­ins
Berlin Syn­drome reviewed by Caitlin Quin­lan
In This Cor­ner of the World reviewed by Michael Leader
The Oth­er Side of Hope reviewed by David Jenk­ins
Daugh­ters of the Dust reviewed by David Jenk­ins
I Am Not Madame Bovary reviewed by Claire Langlais
By the Time It Gets Dark reviewed by Eve Watling
The Human Surge reviewed by David Jenk­ins
City of Ghosts reviewed by Trevor John­ston
After the Storm reviewed by Gabriela Helfet
The Big Sick reviewed by Mike McC­ahill
David Lynch: The Art Life reviewed by Anton Bitel
Edith Walks reviewed by David Jenk­ins
The Red Tur­tle reviewed by Anton Bitel
Churchill reviewed by Phil Con­can­non
Gift­ed reviewed by Ele­na Laz­ic
Wil­son reviewed by David Jenkins

I Am a CeX addict – Ele­na Laz­ic explains the ratio­nale behind her love of col­lect­ing sec­ond hand DVDs.

Plus reviews of Hou Hsiao-hsien’s Daugh­ter of the Nile, Jûzô Itami’s Tam­popo, Bill Forsythe’s House­keep­ing, Waris Hussein’s Melody, Mar­lon Brando’s One-Eyed Jacks, Sid­ney J Furie’s The Enti­ty, Ter­ry Gilliam’s The Fish­er King, Alan Clarke’s Rita, Sue and Bob Too.

LWLies 70: the Dunkirk issue is out now. Order your­self a copy or sub­scribe today via our online shop.

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