by Eduardo Sánchez, Daniel Myrick
Directors Eduardo Sánchez and Daniel Myrick tell the story of how their freshman film project became a cultural phenomenon.
by Vadim Rizov
Woody Allen has made his fair share of bad movies. But who are the critical gatekeepers who will stop at nothing to defend his honour?
by Joe Marczynski
Katsuhiro Ôtomo’s iconic anime mirrors the atrocities witnessed by Hiroshima and Nagasaki 70 years ago.
by Mark Asch
Everything is connected – including Peter Adolphsen’s ‘Machine’ and Terrence Malick’s 2011 film.
by John Wadsworth
The story of how the famously provocative Danish director lost control on his 2011 film, Melancholia.
by Tom Bond
Miguel Gomes, Jacques Audiard and others are capturing a shifting continental mood.
by Sophie Monks Kaufman
Some of the world’s leading documentarians take the pulse of an ever-changing artistic medium.
by Matt Packer
Legendary animator Floyd Norman tells the inside story of how a Disney classic was made.
by Andreas Kirkinis
The gap between movies and video games is closing. But what will happen when the viewer has control over the script?
by David Jenkins
He reinvented the comic-book movie. He filmed the unfilmable. So why doesn’t the Batman V Superman director get respect?
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.