by Sophie Monks Kaufman
Through conversations with psychologists, neurodivergent friends, Jason Schwartzman and the man himself, Sophie Monks Kaufman investigates the meticulous worlds of Wes Anderson and their potent emotional frequencies.
by Amber Rawlings
Their shallow, male-centric cinephilia speaks to a wider issue within the industry. But is this stereotype changing?
As lockdown in the UK eases, Sophie Monks Kaufman reflects on the value of cultural exchange on a personal and societal level.
by David Jenkins
Reappraising Matthew McConaughey’s maligned rom-com dark days.
by Christina Newland
The poor box office performance of The Sisters Brothers and films like it suggests interest in this quintessential American film genre is on the wane.
by Al Horner
Key members of The Simpsons’ creative family share the inside story of the show’s cherished Halloween specials.
by William Carroll
Twenty-five years on, the show’s mix of high-brow humour and genuine heart is as appealing as ever.
by Spencer Moleda
Steven Spielberg’s World War Two drama brought me closer to my grandfather, who survived the D‑Day landings.
by Lydia Figes
Female-driven comedies such as The Marvellous Mrs Maisel and Funny Cow are challenging archaic notions about women on screen.
by Brian Brems
What does it mean to be an American who loves Martin Scorsese’s Taxi Driver but hates gun violence?
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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