by David Jenkins
Reappraising Matthew McConaughey’s maligned rom-com dark days.
by Christina Newland
The poor box office performance of The Sisters Brothers and films like it suggests interest in this quintessential American film genre is on the wane.
by Al Horner
Key members of The Simpsons’ creative family share the inside story of the show’s cherished Halloween specials.
by William Carroll
Twenty-five years on, the show’s mix of high-brow humour and genuine heart is as appealing as ever.
by Spencer Moleda
Steven Spielberg’s World War Two drama brought me closer to my grandfather, who survived the D-Day landings.
by Lydia Figes
Female-driven comedies such as The Marvellous Mrs Maisel and Funny Cow are challenging archaic notions about women on screen.
by Brian Brems
What does it mean to be an American who loves Martin Scorsese’s Taxi Driver but hates gun violence?
by Nadine Smith
Ten years ago, Matt Reeves’ secret monster movie ushered in a new era of fan-driven movie publicity.
by Hannah Strong
As streaming platforms vie with major film studios for viewers’ attention, great work is at risk of being lost in the content ether.
by Nick Pinkerton
We pay homage to director Clive Barker’s majestic suburban gore aria from 1987.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.