by David Jenkins
A ripe set-up in which a family of ducks migrate in the wrong direction is squandered in this haphazard and empty family animation.
by Hannah Strong
Three families reckon with the dead returning from the grave in Thea Hvistendahl’s glacial horror drama.
The latest from British non-fiction filmmaker Marc Issacs offers an ethereal cross-cut of working class lives in deepest Essex.
Blitz Bazawule delivers an all singing, all dancing update of Alice Walker’s harrowing story of women in postbellum Georgia.
by Esther Rosenfield
Jane Schoenbrun’s sophomore feature is an unnerving take on loneliness, isolation, and the enduring mysteries of children’s media.
by Neil Young
Lois Patiño travels from Laos to Zanzibar via the bardo in this unique and jaw-dropping tale of bodily transcendence.
A grand banquet of film has been laid out for the festival’s 20th anniversary edition.
Andrew Scott and Paul Mescal are electric in Andrew Haigh’s twist on the modern ghost story, adapted from Taichi Yamada’s cult novel.
Outgoing artistic director Carlo Chatrian delivers the world cinema goods for his final edition at the helm.
The British director on the power of crying and how he crafted his heartbreaking new film, All of Us Strangers.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.