by Sam Moore
As WWE enters its Netflix Era, there’s an awful lot of “brand synergy” – and it’s becoming a distraction.
by Olivia Popp
Grand Theft Hamlet might be the highest profile film made inside Rockstar’s flagship franchise, but it’s certainly not the first – join us on a cruise through San Andreas Cinema.
On Truth & Movies this week we review three new releases. First up it’s the horror comedy The Monkey and we spoke to its director Oz Perkins and star Theo James. Next we tackle the horrors of 1970’s Brazil in Walter Salles’ I’m Still Here. Finally, we review Irish coming-of-age tale September Says
by Rafa Sales Ross
Walter Salles returns to narrative filmmaking with a sensitive depiction of the forced disappearance of former congressman Rubens Paiva, and the devastation his family faced.
by Hannah Strong
Two sisters share an unshakable bond in Ariane Labed’s uniquely strange feature debut.
by Esmé Holden
A reflection on trying to make sense of the senseless, through the work of a Belgian master.
A cheeky monkey with a violent streak gets Theo James in all sorts of trouble in Osgood Perkins’ bloodthirsty horror based on a Stephen King short story.
by Mick Gaw
Edward Yang’s 2000 masterpiece about a middle-class family in Taipei might be the defining film of the millennium.
by David Jenkins
An unapologetic hagiography of the famed British photographer whose work chronicles working class leisure time.
by Marina Ashioti
Two Palestinian refugees navigate the seedy underbelly of Athens in Mahdi Fleifel’s compelling fiction feature debut.
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