by Daniel Schindel
A dancer and a musician form a unique friendship in Masaaki Yuasa’s fantastical animated musical.
by Michelle Krasovitski
Amidst Weird Al and werewolves, there was another boogeyman at TIFF this year: copyright law.
by Charles Bramesco
Parker Finn’s debut redeems the Trauma Horror movie with ferocious focus and demented humour.
by Adam Woodward
The late French New Wave icon was affectionately sent up on the cult 1990s late-night show.
by Sophie Monks Kaufman
A dialogue with the humble, perspicacious and very funny director of one of the film masterpieces of the 21st century.
by Emma Fraser
The filmmaker, writer and actor talks about the long journey to adapt the medieval coming-of-age dramedy Catherine, Called Birdy.
by Hannah Strong
A teenager in Medieval Lincolnshire contends with suitors and friendship problems in Lena Dunham’s winsome coming-of-age dramedy.
by Alexandria Slater
Miles Warren explores the dichotomy of nature vs nurture through a lost teenager’s longing for paternal guidance.
Brian Cox plays a dying convict trying to free himself from the prison of his past through forgiveness of his daughter in Catherine Hardwicke’s formulaic family drama.
by Leila Latif
Andrew Dominik’s warts-and-all portrait of tragic Hollywood icon Marilyn Monroe is as surreal as it is sad.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.