by Caitlin Quinlan
Vicky Krieps gives an acting masterclass as the despondent Empress Elisabeth of Austria.
by Yasmin Omar
As James Cameron’s generation-defining blockbuster turns 25, it’s high time to reconsider the narrative value of the film’s often-maligned framing device.
by Sabrina Cooper
Down to Earth yet heavenly, she’s simply radiant in Norman Jewison’s eccentric romantic comedy.
by Hannah Strong
Damien Chazelle’s big-budget tale of big dreams in 1920s Hollywood hits an alarming number of bum notes.
by Charles Bramesco
She plays a frustrated artist preparing for a show in Kelly Reichardt’s wry, downbeat comedy.
by Callie Petch
The twin journeys of Robyn and Mebh toward self-acceptance reflect the real-life journey of many queer and gender-nonconforming people toward embracing their identity.
by Emma Fraser
We count down the small screen treats which had everyone theorising and furiously binge-watching, from Bad Sisters to Pachinko.
by Isabel Jacobs
This year’s festival celebrated the rich Indian cinema being made outside of popular Bollywood.
by David Jenkins
A gaudy blue folly which encapsulates James Cameron’s strength as an image-maker, but weakness as a storyteller.
by Anton Bitel
Christmas Bloody Christmas is a Yuletide horror with a dark sense of humour and some killer robots.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.