by David Jenkins
The “Quasar of Rock” is the subject of this juicy and insightful documentary which prizes deep cultural analysis over the usual bobbysoxer hysteria.
by Alexandria Slater
Belgian filmmaker Emmanuelle Nicot approaches the subject of child sexual abuse with great sensitivity in her debut feature.
by Soma Ghosh
The writer-director behind the furious, hilarious Polite Society explains how her teenage years inspired her to create a coming-of-age action-comedy for the ages.
by Mark Allison
Forty years ago, Roger Moore and Sean Connery duked it out at the box office as Octopussy and Never Say Never Again faced off on the big screen.
by Fatima Sheriff
Following the blast of sitcom joy that was We Are Lady Parts, Nida Manzoor takes a giant leap to the big screen with an in-your-face comedy about crane-kicking the face of traditional mores.
by Rory Doherty
Nicolas Cage is a singular cinematic talent, but lately a string of lacklustre films attempt to capitalise on the pop culture image of him without adding to the conversation.
by Christopher Stewardson
William Cameron Menzies’ sci-fi classic might have its origins in the Cold War, but its message is more expansive.
by Sophie Monks Kaufman
An elderly man begins a remarkable journey after discovering that a former colleague has terminal cancer in Hettie Macdonald’s adaptation of Rachel Joyce’s best-selling novel.
by Anton Bitel
Junya Sato’s classic action-crime film depicts a group of disenfranchised men who attempt to pull of an audacious crime involving a speeding train.
by Kambole Campbell
The writer, director, set designer, puppet builder, animator, composer and actor behind the dystopian stop-motion epic Junk Head discusses how he created a film almost single-handedly.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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