by David Jenkins
Juliette Binoche and Benoît Magimel play late 19th century gourmands in Tran Ahn Hung’s scintillating epic of proto-foodie passions.
The long-awaited return of Spanish filmmaker Victor Erice is a slow-burn marvel which climaxes in a sequence of overwhelming profundity and mystery.
by Rafa Sales Ross
Karim Aïnouz’s English language debut is a frustratingly buttoned-up take on the life of Henry VIII’s final wife, Catherine Parr.
by Leila Latif
Halle Bailey’s charms can’t distract from all the bizarre choices at the heart of this underwhelming live-action remake.
by Hannah Strong
Joanna Arnow’s feature debut is a blisteringly funny take on millennial malaise and the search for reciprocal companionship.
Wes Anderson returns with one of his most dazzling, rich and playfully self-reflexive films to date, brought to eye-popping life by an all-timer ensemble.
Jessica Hausner’s drama about a teacher who begins a troubling diet club at an elite high school is a poorly-judged slog to sit through.
by Mark Asch
The legendary filmmaker and writer reflects on his curious horticultural drama, Master Gardener, and reveals which of his films he thinks is the funniest.
Another gorgeous tragicomic farce from Finnish maestro Aki Kaurismäki, a heartfelt cinephile ode to the possibility of love among the working classes.
by Catherine Bray
A woman has to stand trial after her husband dies in suspicious circumstances in Justine Triet’s compelling courtroom drama.
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