by Robyn Quick
Benjamin Millepied’s reimagining of Georges Bizet’s classic opera is beautiful to behold, but lacks musical pizzazz.
by Lillian Crawford
The BFI’s first annual Film on Film festival aims to celebrate and educate on the wonders of celluloid, from nitrate and 35mm to 3D.
by Saskia Lloyd Gaiger
Carolina Cavalli’s feature debut about a young woman’s arrested development is both too real for its whimsy and too whimsical to be realistic.
This Pride Month, Barbican Cinema will showcase eight films celebrating LGBTQ+ lives.
by Leila Latif
Miles Morales returns as the web-slinging hero of Brooklyn in this smart sequel which defies expectations.
Wes Anderson fans can tour original props and miniatures before catching a bite in a retro ’50s-style diner.
by Charles Bramesco
The star of Tina Satter’s whistleblowing drama Reality speaks about the challenges of playing a real person and the concept of the modern movie star.
by Caitlin Quinlan
Tina Satter adapts her own play into a chamber drama powered by Sydney Sweeney’s performance as NSA whistleblower Reality Winner.
by Anton Bitel
A grieving family find themselves terrorised by a supernatural monster in Rob Savage’s jump to big studio horror.
by David Jenkins
The psychological courtroom thriller with the great Sandra Hüller wins the top prize at the Cannes Film Festival.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.