by Simon Bland
From Saturday Night Live’s MVP to indie-movie darling, Bill Hader explains how this small emotional indie paved the way towards his critical hit Barry.
by Hannah Strong
In Johan Renck's cosmic epic, Adam Sandler and Paul Dano are a lonely astronaut and an ancient spider who form an unlikely friendship. That's the tip of the iceberg.
The British director on the power of crying and how he crafted his heartbreaking new film, All of Us Strangers.
by Rógan Graham
Old pals and creative collaborators Daniel Kaluuya and Kibwe Tavares team up to present their vision of a near future where London's last social housing estate stands up against the oppressive regime.
Yorgos Lanthimos on the intricate cine-suture work that it took to make his magnificent new film, Poor Things.
The star of Sofia Coppola's Priscilla, who won the Volpi Cup at the Venice Film Festival for her performance, reflects on the experience of working with Coppola as well as her co-star Jacob Elordi.
by Vince Medeiros
On the ground at the Thessaloniki Film Festival, we caught up with one of our favourite actors to discuss her new role in gothic delight, The Vourdalak.
by Christina Newland
The visionary Indian director behind modern cult favourite The Fall reflects on the film finding its audience after 17 years, and the production of Dear Jassi – his first feature film in almost a decade.
by David Jenkins
The intrepid British director on being one of the first people to lay their eyes on the archives of the late artist Audrey Amiss – subject of Typist, Artist, Pirate, King.
Speaking at the global press conference for Killers of the Flower Moon, Martin Scorsese provides insights into his research process and use of music, as well as discovering Lily Gladstone via Kelly Reichardt's Certain Women.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
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Adjusts the font size for improved readability.
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