Interviews | Little White Lies

Interviews

Illustration of two figures - one with a stern expression, the other with a skeletal face. Vibrant pink and blue backgrounds, bold outlines and lines.
Interviews

Agathe Rousselle: ‘It’s unusual to see dangerous women’

by Hannah Strong

The French mod­el-turned-actor on get­ting into char­ac­ter for her break­out role in Julia Ducournau’s Titane.
A man with dark hair and glasses wearing a light-coloured shirt against a dark purple background.
Interviews

Steven Yeun: ‘I have a desire to play a humanity we can all access’

by Charles Bramesco

The in-demand Kore­an-Amer­i­can actor reflects on his role in Stephen Karam’s inti­mate ensem­ble dra­ma The Humans.
Portrait of a woman with black hair and bright pink skin tone against a blue background.
Interviews

Maggie Gyllenhaal: ‘When we express ourselves as women, it feels different’

by Hannah Strong

The actor on step­ping behind the cam­era for her pow­er­ful and enig­mat­ic Ele­na Fer­rante adap­ta­tion, The Lost Daughter.
Two cowboys on horseback in a mountainous, grassy landscape, wearing wide-brimmed hats and cowboy attire.
Interviews

Ari Wegner on how she created The Power of the Dog’s visual identity

by Hannah Strong

The cin­e­matog­ra­ph­er reveals the trick to shoot­ing dig­i­tal cows, and why the film is real­ly a mon­ster movie.
Illustration of a man with greying hair and a beard, wearing a pink shirt, against a grey background with a plant in the foreground.
Interviews

Mike Mills: ‘All my films are me communing with someone I really love’

by Hannah Strong

The direc­tor explains how father­hood shaped his lat­est film, and how cre­at­ing space is inte­gral to his cre­ative vision.
Portrait of a man with a beard, wearing a pink top and black earrings against a bright blue background.
Interviews

Reggie Yates: ‘We seldom see Black British coming-of-age stories’

by Marina Ashioti

How a love of cars, Lon­don and UK garage informed the writer/director’s mad­cap debut fea­ture, Pirates.
A bearded man wearing glasses and a blue jumper.
Interviews

Robert Greene: ‘This film is indictment of how the media portrays survivors’

by Charles Bramesco

The direc­tor dis­cuss­es the com­plex ethics of his new doc­u­men­tary, Pro­ces­sion, which gives a voice to sur­vivors of sex­u­al abuse.
Close-up illustration of a woman with dark hair and glasses, wearing a pink top against a bright blue background.
Interviews

Céline Sciamma: ‘I would love for someone to make this film into an anime’

by Lillian Crawford

The French mae­stro on how she’s matured as a film­mak­er, and the secrets hid­den in her beguil­ing lat­est, Petite Maman.
Stylised portrait of a man with short dark hair and a beard, against a bright pink background.
Interviews

Ryūsuke Hamaguchi: ‘I’ve shot lot of stuff in cars because of Godard’

by Trevor Johnston

The Japan­ese direc­tor explains how he trans­formed a Muraka­mi short sto­ry into the inti­mate emo­tion­al epic, Dri­ve My Car.
Headshot of a man with curly dark hair and a serious expression, wearing a black jacket against a plain background.
Interviews

Robert Levon Been on scoring The Card Counter

by Paul Weedon

Black Rebel Motor­cy­cle Club’s co-founder reflects on going head-to-head with direc­tor Paul Schrader.