Two cinematic tributes to Ruth Bader Ginsburg are… | Little White Lies

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Two cin­e­mat­ic trib­utes to Ruth Bad­er Gins­burg are set for re-release

23 Sep 2020

Words by Charles Bramesco

Elderly woman in black robe and glasses, standing in ornate doorway with golden trim.
Elderly woman in black robe and glasses, standing in ornate doorway with golden trim.
The biopic On the Basis of Sex and the doc­u­men­tary RBG will raise char­i­ty funds in these new US runs.

The recent death of Ruth Bad­er Gins­burg, Supreme Court jus­tice and life­long cru­sad­er for the rights of women and oth­er mar­gin­al­ized groups, sent shock­waves through Amer­i­can soci­ety on both sides of the polit­i­cal aisle. Everyone’s at a loss as to how such an illus­tri­ous career and life can be prop­er­ly com­mem­o­rat­ed, espe­cial­ly with the ongo­ing pan­dem­ic lim­it­ing pub­lic activ­i­ty, but those US cin­e­mas open and oper­a­tional have announced plans to this effect.

The Hol­ly­wood Reporter ran an item announc­ing that Focus Fea­tures and Mag­no­lia Pic­tures will release their rel­e­vant titles – the biopic On the Basis of Sex and the doc­u­men­tary RBG, respec­tive­ly – back into the­aters begin­ning this Fri­day. The net pro­ceeds from these tick­et sales will go direct­ly to the ACLU Women’s Rights Project, a legal advo­ca­cy orga­ni­za­tion cofound­ed by Gins­burg in 1992.

Several businesspeople in formal attire, with a woman in the centre wearing a green coat.

On the Basis of Sex was released back in 2018, with Felic­i­ty Jones por­tray­ing a young Gins­burg as she makes her way through law school and gets her foot in the door of a male-dom­i­nat­ed pro­fes­sion. With stead­fast sup­port from hus­band Armie Ham­mer, she asserts her claim to the job as a qual­i­fied, knowl­edge­able young lawyer and scores a sym­bol­ic win for women every­where along with her lit­er­al win in the courtroom.

RBG came out that same year, and took a more by-the-num­bers look at the grand arc of her eight decades on this Earth. From child­hood to the halls of pow­er in Amer­i­ca, the film tracked her as a legal expert, a rep­re­sen­ta­tive of the Jew­ish com­mu­ni­ty, and a fem­i­nist trail­blaz­er. (Along the way, the film racked up a mas­sive wind­fall at the box-office, top­ping out at $14.4 mil­lion in its the­atri­cal run.)

The urge to deify Gins­burg through pop-cul­ture has result­ed in some tru­ly unhinged fan art and oth­er trib­utes, but these films rep­re­sent the more pol­ished and pro­fes­sion­al memo­ri­als to her estimable accom­plish­ments. And for now, look­ing back on her mem­o­ry can be done in a char­i­ta­ble man­ner, too.

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