Jacques Audiard returns to TV for a hit spy series | Little White Lies

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Jacques Audi­ard returns to TV for a hit spy series

07 Jun 2019

Words by Charles Bramesco

Man operating a camera on a tripod in a field.
Man operating a camera on a tripod in a field.
The French film­mak­er will direct mul­ti­ple episodes in the fifth sea­son of The Bureau.

In the Unit­ed States, Jacques Audi­ards lat­est film The Sis­ters Broth­ers is under­stood pri­mar­i­ly as a mis­fire, a flop that cost pre­sid­ing stu­dio Anna­pur­na around $25 mil­lion. But that’s of no mat­ter to Audi­ard him­self, who con­tin­ues plug­ging away back in Europe with­out think­ing of his work in terms of dol­lars and cents. (The Best Direc­tor prize out of Venice doesn’t hurt, either.)

Today brings the news that Audi­ard has lined up his next gig, and that it’ll lure him away from the sil­ver screen for the time being. Vari­ety reports that he will take to tele­vi­sion as direc­tor on mul­ti­ple episodes of The Bureau for the spy program’s fifth and final season.

The long-run­ning series makes taut dra­ma from what sounds like a paper­back pot­boil­er: an agent (played by La Haine direc­tor Math­ieu Kasso­vitz) for France’s equiv­a­lent of the Secret Ser­vice returns to Europe for the first time in six years spent on black-ops in Dam­as­cus, and gets draft­ed by the CIA to play dou­ble agent. As if to con­firm the show’s eas­i­ly accessed appeal, an Amer­i­can adap­ta­tion called The Depart­ment has already been put in motion.

Audi­ard and his long­time writ­ing part­ner Thomas Bide­gain also drew up the scripts for this new sea­son. It’s not his first stab at small-screen enter­tain­ment, either; a young Audi­ard got his feet wet with anoth­er crime show called Série Noire in 1984, an adap­ta­tion of a line of pulp nov­els pop­u­lar in Europe.

Some auteurs look at TV as a time to regroup and lay some ground­work for the next fea­ture project, while oth­ers appre­ci­ate the chance to work on a wider can­vas and a longer run time. Audi­ard gives the impres­sion that he’s among the lat­ter camp, ready to return to his days of silenced pis­tols and night-vision goggles.

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