Apichatpong Weerasethakul’s upcoming Memoria gets… | Little White Lies

Incoming

Apichat­pong Weerasethakul’s upcom­ing Memo­ria gets a big deal

08 Nov 2019

Words by Charles Bramesco

A person wearing glasses and a purple shirt sits at a desk in a dimly lit room, working intently on something in front of them. Various electronic devices and equipment can be seen on the desk.
A person wearing glasses and a purple shirt sits at a desk in a dimly lit room, working intently on something in front of them. Various electronic devices and equipment can be seen on the desk.
The 2020 release will be Joe’s widest North Amer­i­can run to date.

Since the dawn of the mil­len­ni­um, film­mak­er Apichat­pong Weerasethakul (known affec­tion­ate­ly as Joe” to peo­ple intim­i­dat­ed by his name’s many syl­la­bles) has been qui­et­ly mak­ing some of the most fas­ci­nat­ing films in the world from his cor­ner of Thai­land. But ear­ly reports from the set of his next fea­ture Memo­ria sug­gest that the nation­al film­mak­er may soon assume a more glob­al spotlight.

The Hol­ly­wood Reporter broke the news from the Amer­i­can Film Mar­ket indus­try con­fer­ence that Memo­ria has been picked up for a 2020 release by NEON, the dis­trib­u­tor cur­rent­ly turn­ing Par­a­site into a box-office hit in the Unit­ed States. Though Joe’s work has been defi­ant­ly uncom­mer­cial in the past, the scant details already revealed form a pic­ture of a film with wider appeal.

He’s leav­ing his home and his native lan­guage for the first time, shoot­ing in Colom­bia and in Eng­lish. In anoth­er first, he’s work­ing with a bona fide movie star with a house­hold name in the West, tap­ping Til­da Swin­ton for the lead role.

The cur­so­ry syn­op­sis pro­vid­ed as of now, how­ev­er, gives the impres­sion of a more typ­i­cal­ly oblique piece of work. Swin­ton plays an orchid hor­ti­cul­tur­al­ist vis­it­ing her sis­ter in Bogotá, where she makes the acquain­tance of a local musi­cian and a French archae­ol­o­gist work­ing on a project to con­struct a tun­nel bur­row­ing through the Andes moun­tains. The oth­er note, inscrutable but evi­dent­ly salient, is that Swinton’s char­ac­ter can­not sleep through the night due to loud bang­ing nois­es of unknown origin.

It’s hard to imag­ine a world in which Joe ful­ly sells out, but this could con­nect with a much wider audi­ence than he’s used to, a notion that NEON clear­ly plans on see­ing through. Expect a pre­mière at Cannes, a friend­ly home for his work in the past, before a release lat­er in the year. Aside from that, do away with all expec­ta­tions now.

Take a gan­der at the first still from set below…

Three people conversing in a hallway, one wearing glasses.

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