by Hannah Strong
The writer/director and on-screen father-son tell the story of how they captured cinematic lightning in a bottle.
The writer/director of Sound of Metal discusses replicating the experience of deafness on screen.
by Leila Latif
The actor discusses the ambiguity of his role in Judas and the Black Messiah while espousing peace, love and connectivity.
by Grace Z Li
The Birds of Prey director reflects on her 2018 debut feature Dead Pigs, and teases her next project.
by Adam Woodward
The star of The World to Come gives a career-best performance in this hardscrabble tale of female longing.
by Charles Bramesco
The writer/director on channelling John Ford for his first foray into the American frontier, News of the World.
The writer/director shares her love of Paris Hilton and her frustrations with the way we talk about women in film.
by Christina Newland
The screen icon talks Tarantino, the delayed Django Lives!, and the time he got naked for John Huston.
by David Jenkins
The master filmmaker behind Mank on Orson Welles, Pauline Kael and realising a passion project after a 30-year wait.
The genre prodigy talks perfect casting and practical effects in his latest shocker, Possessor.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.