by Hannah Strong
The director of Armageddon Time reflects on how his childhood inspired his deeply affecting drama about societal tensions in 1970s New York.
by Rafa Sales Ross
The Scottish filmmaker behind breakout indie Aftersun explains the complex process of portraying memory in cinema.
by Vince Medeiros
LWLies speak to the director of the outrageous farce, Dodo, at the the 2022 Thessaloniki Film Festival.
by Marina Ashioti
The Chilean director on the very contemporary political and philosophical questions at the core of literary period piece, The Wonder.
by Callie Petch
The co-director of the weird and wonderful stop motion modern classic ParaNorman reflects on the film's legacy a decade later.
by Ella Kemp
The two-time Palme d'Or-winning provocateur chats idealism, misogyny and modeling as Triangle of Sadness hits cinemas.
by Simon Bland
Creator Stephen Volk and director Lesley Manning reflect on the chaos and unlikely impact of their meta-Halloween horror.
The stars of Martin McDonagh's latest reflect on their reunion on the islands of Inishmore and Achill, the scars of the Irish Civil War, and the weight of artistic legacy.
by Iana Murray
The incomparable South Korean filmmaker reflects on his dreamy neo-noir, Decision to Leave.
by David Jenkins
She delivers arguably one of the greatest performances in a Park Chan-wook film, but how did Tang Wei build the enigmatic suspected murderer, Seo-rae?
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.