In Conversation | Little White Lies

In Conversation

Interviews

Daniel Blumberg: ​‘The ingredients were there to make something special and unique’

by Claire Biddles

Meeting the compositional maestro behind the complex web of sounds and rhythms in Mona Fastvold’s The Testament of Ann Lee.
Interviews

Amanda Seyfried: ‘This movie has changed me’

by Katherine McLaughlin

The star of The Testament of Ann Lee expounds on the joys of giving yourself over to cinema.
Interviews

Mona Fastvold: ‘I’m always searching for the perfect choreography between the camera and the performer’

by Marina Ashioti

The maker of The Testament of Ann Lee on creating a radical biography that’s forged in ecstatic song.
In Conversation

Mary Sweeney: 'David considered The Straight Story a very abstract film'

by Alex Hewitt

David Lynch’s long-time production partner and writer of The Straight Story reflects on a legendary creative partnership and the gentlest of Lynch’s films.
Stylised portrait with mint green face, dark navy hair, red-framed glasses, and dark suit against pink-purple cloudy background.
Interviews

Park Chan-wook: ‘We certainly do have other choices’

by Hannah Strong

The violently competitive world of HR and employment is the subject matter of the South Korean filmmaker’s highly prescient latest.
Illustration of woman with long black hair wearing red top against dark reddish-brown background with vertical brushstroke textures.
Interviews

Chloé Zhao: ‘There’s a desire for the language of ambiguity, of poetry’

by David Jenkins

Plato, Carl Jung and Terrence Malick are what kept the filmmaker inspired while making her jaw-dropping latest, Hamnet.
Stylised portrait illustration with pink and purple tones on pale green background. Figure wears yellow glasses and dark blue top.
Interviews

Joachim Trier: ‘I cling to life’

by Marina Ashioti

Norway’s favourite son on how to follow-up a global hit – with another wistful, intuitive and thought film about melancholy in Sentimental Value.
Black ink drawing of man with dark-rimmed glasses and suit jacket, hands clasped, on beige textured background.
Interviews

Jafar Panahi: ‘We shouldn't look at cinema too idealistically’

by Marina Ashioti

The great Iranian auteur and winner of the 2025 Palme d’Or on his thrilling new morality play, It Was Just an Accident.
Black ink drawing of person with shoulder-length hair, thick-rimmed glasses, and dangly earrings against textured background with vertical lines.
Interviews

Lynne Ramsay: ‘I love pushing people as far as I can’

by Hannah Strong

One of Britain’s most iconic and beloved directors on her striking new film, Die My Love, and why she is drawn to extreme material.
Illustration of grey-skinned figure with glasses in red bed, white candle on wooden table, warm brown and red interior tones.
Interviews

Guillermo del Toro: ‘The world breaks your heart, but you carry on’

by Hannah Strong

Going face to face writer/​director Guillermo del Toro to find out what it’s like to finally create the film he has always wanted to make.
Black and white portrait of a bearded Black man holding a vintage folding camera, positioned close to his face in dramatic lighting.
Interviews

Yemi Bamiro on the making of Black Is Beautiful: The Kwame Brathwaite Story

by Farah Sadek

The documentary filmmaker breathes life and love into this doc on the trailblazing photographer who helped to define the aesthetics of the ​“Black is Beautiful” movement.
Black and white line drawing of a person with wavy shoulder-length hair, round spectacles, and gentle facial features on textured background.
In Conversation

Kelly Reichardt: ‘I’m fascinated with people stealing art’

by David Jenkins

Robert Bresson, Warren Oates and Jean-Pierre Melville are just some of the ingredients of The Mastermind, an existential heist movie with a political twist.

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