Ben Affleck's autistic hitman with a gift for numbers returns in Gavin O'Connor's mismatched action thriller.
Kiyoshi Kurosawa’s latest treads similar thematic territory to his prescient 2001 cyberhorror, through the prism of an e-commerce, vengeance-fuelled thriller.
Finally free from the Marvel machine, Ryan Coogler delivers the goods and then some with his music-powered, genre-splicing latest.
Alex Garland teams up with Iraq War veteran Ray Mendoza for an evocative but empty war film, recreating a catastrophic day in Ramadi based on the memories of Mendoza and his comrades.
Rami Malek struggles in this boilerplate thriller as a CIA operative out to kill the men that murdered his wife.
Jack Quaid delivers a charming performance as a man incapable of feeling pain in Dan Berk and Robert Olsen's ultraviolent action-comedy.
Even Jason Statham looks bored by his latest hard man turn in Davey Ayer's uninspired adaptation of Chuck Dixon's novel Levon's Trade.
Nick Love and Danny Dyer are back with yet another boorish, small-minded take on the football hooligan genre.
Ke Huy Quan and Ariana Debose star in stunt performer Jonathan Eusebio’s Valentine’s Day-themed directorial debut.
Aaron Taylor Johnson tries his best in JC Chandor's woeful entry in the Sony Spider-Man Universe.
Tom Hardy seems tired and confused in this comic book sci-fi sequel that hasn’t got an original bone in its alien symbiote body.
Two lone wolf fixers bicker their way through Jon Watts' sparkless action comedy, which wastes the charisma of George Clooney.
By Juan Barquin
Eli Roth's slapdash adaptation of the brash video game series is a joyless slog despite the presence of Cate Blanchett.
The MCU serves up a two-hour dick joke slam in the guise of a metatextual superhero threequel. Results may vary.
This sequel to the 1996 disaster blockbuster sees a new group of storm chasers set out to tame a tornado, but the results don't exactly blow us away.
June Squibb is a delight in this sweet comedy about an irrepressible 93-year-old who won't take being scammed lying down.
Eddie Murphy hits the nostalgia circuit with this depressing, algorithmic homage to the sparkling 1984 original.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
