Action

The Accountant 2 review – tonally wild and uneven but oddly sweet

By Hannah Strong

Ben Affleck's autistic hitman with a gift for numbers returns in Gavin O'Connor's mismatched action thriller.

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Cloud review – all-time bleakest episode of Only Fools and Horses

By Josh Slater-Williams

Kiyoshi Kurosawa’s latest treads similar thematic territory to his prescient 2001 cyberhorror, through the prism of an e-commerce, vengeance-fuelled thriller.

review LWLies Recommends

Sinners review – links the past and present with music and blood

By Kambole Campbell

Finally free from the Marvel machine, Ryan Coogler delivers the goods and then some with his music-powered, genre-splicing latest.

review LWLies Recommends

Warfare review – war, what is it good for?

By Hannah Strong

Alex Garland teams up with Iraq War veteran Ray Mendoza for an evocative but empty war film, recreating a catastrophic day in Ramadi based on the memories of Mendoza and his comrades.

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The Amateur review – extremely solid, extremely unspectacular

By David Jenkins

Rami Malek struggles in this boilerplate thriller as a CIA operative out to kill the men that murdered his wife.

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Novocaine review – no pain, no gain

By Hannah Strong

Jack Quaid delivers a charming performance as a man incapable of feeling pain in Dan Berk and Robert Olsen's ultraviolent action-comedy.

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A Working Man review – a dire, forgettable actioner

By Hannah Strong

Even Jason Statham looks bored by his latest hard man turn in Davey Ayer's uninspired adaptation of Chuck Dixon's novel Levon's Trade.

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Marching Powder review – a proper, proper gaffe

By Adam Woodward

Nick Love and Danny Dyer are back with yet another boorish, small-minded take on the football hooligan genre.

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Love Hurts review – no love, much hurts

By Marina Ashioti

Ke Huy Quan and Ariana Debose star in stunt performer Jonathan Eusebio’s Valentine’s Day-themed directorial debut.

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Kraven the Hunter review – put it out of its misery

By Hannah Strong

Aaron Taylor Johnson tries his best in JC Chandor's woeful entry in the Sony Spider-Man Universe.

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Venom: The Last Dance review – air-headed escapism

By David Jenkins

Tom Hardy seems tired and confused in this comic book sci-fi sequel that hasn’t got an original bone in its alien symbiote body.

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Wolfs review – it’s content, not cinema

By Hannah Strong

Two lone wolf fixers bicker their way through Jon Watts' sparkless action comedy, which wastes the charisma of George Clooney.

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Borderlands review – rage-quit worthy video game slop

By Juan Barquin

Eli Roth's slapdash adaptation of the brash video game series is a joyless slog despite the presence of Cate Blanchett.

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Deadpool & Wolverine review – a mixed (ball) bag

By David Jenkins

The MCU serves up a two-hour dick joke slam in the guise of a metatextual superhero threequel. Results may vary.

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Twisters review – cloudy with a chance of scattered narrative

By Hannah Strong

This sequel to the 1996 disaster blockbuster sees a new group of storm chasers set out to tame a tornado, but the results don't exactly blow us away.

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Thelma review – June Squibb finally gets her starring role

By Hannah Strong

June Squibb is a delight in this sweet comedy about an irrepressible 93-year-old who won't take being scammed lying down.

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Beverly Hills Cop: Axel F review – generic cop flick falls flat

By David Jenkins

Eddie Murphy hits the nostalgia circuit with this depressing, algorithmic homage to the sparkling 1984 original.

review

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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