by Ian Mantgani
Federico Fellini’s iconic masterpiece is back on the big screen. Don’t miss it.
by David Jenkins
Kenneth Branagh’s refreshing, irony-free retelling of Cinderella with Downtown Abbey’s Lily James sliding on the glass slipper.
by Adam Woodward
Not even Channing Tatum and Mila Kunis are enough to save the Wachowskis’ gnarly, garish space opera.
A sing-a-long review of this delightful screen adaptation of Stephen Sondheim’s classic musical.
by David Ehrlich
Daniel Radcliffe summons his dark side in this darkly comic fantasy horror.
by Trevor Johnston
The glorious, all-American fantasy land of Oz retains its power to charm despite a few questionable ideas.
by Katherine McLaughlin
Michel Gondry’s woozy take on an ‘unfilmable’ Boris Vian novel offers a cloudburst of astonishing visuals.
by Chris Blohm
A cast of thousands join together for this romping and witty superhero sequel from Bryan Singer.
by Glenn Heath Jr
Jean Cocteau’s ravishing and erotic masterwork is restored as part of BFI’s huge survey of Gothic cinema.
by Adam Lee Davies
Familiarity trumps originality in this fun and very funny comic book sequel with Chris Hemsworth and Tom Hiddleston.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.