by David Jenkins
Another animated incarnation of Peyo’s beloved, blue Belgian beauties; unfortunately Chris Miller’s film absolutely sucks.
by Hannah Strong
Tim Robinson attempts to befriend Paul Rudd in Andrew DeYoung’s offbeat comedy.
Jonás Trueba’s wry and articulate neo-screwball relationship comedy sees a couple organising a party for their impending break-up.
by Thomas Boyd
Two schoolfriends join forces with an old man who accidentally started growing weed on his allotment in Richard Bracewell’s painfully unfunny comedy.
by Katherine McLaughlin
Comedian collaborators Tim Key and Tom Basden co-write and co-star in James Griffiths’ pleasant bromance flick.
A charming arms dealer heads on the road to redemption in this pristine shot of pure pleasure from filmmaker Wes Anderson.
by Emily Maskell
Amalia Ulman flexes her satirical writing chops, but her latest would have benefitted from more Chloë Sevigny and Simon Rex.
by Laura Venning
Anchored by a talented cast clearly having the time of their lives, Andrew Ahn’s new banquet is a bit of a treat.
Emilie Blichfeldt takes on medieval beauty standards in this gory reframing of the Brothers Grimm’s classic take on Cinderella.
by Alex Hopkins-McQuillan
Louise Courvoisier crafts a moving tale about cheese-making and coming of age, set in the rural French region of Jura.
by Billie Walker
Alex Scharfman rallies together a cast stacked with comedic actors, but the result of this dull ‘Eat the Rich’ flick misses the mark.
by Mike McCahill
Darren Thornton’s remake of Mid-August Lunch sees a novelist on the brink of breaking out tasked with caring for his ailing mother and her friends.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.