Hope Dickson Leach on the positive impact having… | Little White Lies

First Person

Hope Dick­son Leach on the pos­i­tive impact hav­ing chil­dren has had on her career

08 May 2017

Words by Elena Lazic

A woman with short, wavy brown hair, wearing a black top with white trim, looking directly at the camera with a serious expression.
A woman with short, wavy brown hair, wearing a black top with white trim, looking directly at the camera with a serious expression.
The Lev­el­ling direc­tor speaks open­ly about the chal­lenges of mak­ing work as a young mother.

It’s a poor reflec­tion on 21st cen­tu­ry soci­ety that women are to some extent still expect­ed to choose between hav­ing a career and hav­ing chil­dren. We’re con­stant­ly told that rais­ing chil­dren requires moth­ers to put every­thing else on hold. But for up-and-com­ing British direc­tor Hope Dick­son Leach, hav­ing chil­dren had a pro­found­ly pos­i­tive impact on her pro­fes­sion­al life. We spoke to her ahead of the release of her bril­liant new film, The Lev­el­ling, about fam­i­ly mat­ters and mak­ing movies.

I didn’t know what a film­mak­er was when I was grow­ing up – I’m still not entire­ly sure to be hon­est – but I loved going to the movies. It was a pre­cious space for all the usu­al rea­sons, but also because it was some­thing that my father and I shared in par­tic­u­lar. I can’t deny that my films tend to be about fam­i­lies, the com­plex­i­ties of fam­i­ly life has been inspi­ra­tional to me creatively.

I grew up in Hong Kong and there weren’t that many Eng­lish-lan­guage or Eng­lish sub­ti­tled films avail­able. So I watched – repeat­ed­ly – the video tapes we had in the house. These were Amer­i­can, main­stream, and lots of fun. Star Wars, Dune, Top Gun, Bugsy Mal­one. We also read a huge amount as a fam­i­ly, so my love of sto­ries is total­ly inher­it­ed from my family.

Becom­ing a par­ent changed my whole life. Not just because I feel bet­ter equipped to write and direct char­ac­ters with more life expe­ri­ence, but also because the way I make work has had to change. As a moth­er, and pri­ma­ry car­er, this still feels like a very intim­i­dat­ing indus­try to be in, but co-found­ing Rais­ing Films has helped me to exam­ine and chal­lenge the dif­fi­cul­ties I’ve come across, and find a com­mu­ni­ty of par­ents who are going through the same thing. As peo­ple have shared their expe­ri­ences, I feel stronger know­ing it is pos­si­ble, and more con­fi­dent in find­ing a way to keep mak­ing work.

My chil­dren are very much part of my life, my iden­ti­ty, and my work. Unless I know they will be safe, hap­py and looked after, I couldn’t make work. Their needs change all the time, so ensur­ing what we do as a fam­i­ly works for all of us is going to be an ongo­ing dimen­sion of my career. And that’s fine, and how it should be.

They love going to the cin­e­ma. Their father is a writer too, so they have sto­ries all around them. My six-year-old told me recent­ly that he was proud of me, which was pret­ty great. They didn’t love it when I was mak­ing the film, as I was away for so long, and our vis­its dur­ing that time were rare and intense. So it’s good to know they’ve come out the oth­er end unscathed. Long may it last.”

The Lev­el­ling is released 5 May.

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