by David Jenkins
This slow-burn folk horror set in old, weird England marks the auspicious return of talented British director Thomas Clay.
by Justine Smith
Director Matthew Rankin discusses his experimental debut feature The Twentieth Century.
by Sophie Monks Kaufman
Cosmo Jarvis shines in this portrait of flawed, inarticulate masculinity by first-time feature director Nathalie Biancheri.
by Jenna Mahale
Writer/director Sasie Sealy discusses the making of her “risky” debut feature, Lucky Grandma.
Sprawling programmes and a focus on new talent makes buying tickets a tough task. But it need not be.
by Lillian Crawford
Two films at the San Sebastian Film Festival showcase a more old school way of depicting the bittersweet passage of time.
by Anton Bitel
Away from the showpiece gala screenings, these are the films worth seeking out at this year’s LFF.
An intended orgy of cinephile pleasure translates as a misguided and misbegotten dud in James Franco’s long-delayed Hollywood satire.
by Charles Bramesco
Steve Coogan plays an odious fast fashion magnate in Michael Winterbottom’s latest comedy.
by Hannah Strong
Justin Kurzel adapts Peter Carey’s 2000 fictionalised account of Austalia’s infamous Kelly gang, with explosive results.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.