by Tahney Fosdike
Archival films and footage presented a rich opportunity for filmmakers and curators to explore contemporary themes and events at this year’s festival.
by David Jenkins
A few top picks from the big and brassy return of the Dutch mainstay, its first in-person gathering in three years.
by Hannah Strong
Nicole Holofcener reteams with Julia Louis-Dreyfus for a gentle comedy about a writer who discovers her husband doesn’t like her work.
A recently bereaved 12-year-old girl is forced to reconnect with her absent father in Charlotte Regan’s charming feature debut.
Cory Finley returns with an eccentric sci-fi dramedy about a pair of teenagers who scheme to livestream their relationship for a curious extra-terrestrial audience.
Thomasin McKenzie plays a repressed prison worker who becomes infatuated with a female colleague in William Oldroyd’s take on Ottessa Moshfegh’s novel.
Alden Ehrenreich and Phoebe Dynevor play a young couple clawing their way up the corporate ladder in Chloe Domont’s dour thriller.
Jonathan Majors delivers a blistering performance as an amateur bodybuilder on the brink in Elijah Bynum’s aching but underwritten drama.
by Charles Bramesco
Adura Onashile’s debut Girl will open the fest, and Nida Manzoor’s Polite Society will close it out.
Based on Kristen Roupenian’s much-lauded 2017 short story, this twisted tale of gender politics is a major letdown in conception and execution.
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