by Amy Bowker
Francis Lee’s festival darling comes home to be a part of the UK’s oldest film festival.
by Joji Sakurai
The tiny Italian city of Udine once again welcomed the biggest names in the Asian film industry.
by Matt Turner
Matthew Barney’s The Cremaster Cycle makes for a uniquely strange and self-indulgent viewing experience.
by Ed Gibbs
John Lydon’s post-Sex Pistols career is examined in this intimate doc that proves as frustrating as it is fascinating.
by Little White Lies
David Lowery’s haunting drama is among the highlights of this year’s programme.
by Anton Bitel
Directors Justin Benson and Aaron Moorhead serve up a meta meditation on cults in this smart genre-blurring thriller.
by David Jenkins
The 2017 Directors’ Fortnight line-up is even more tantalising than the main Competition.
Yorgos Lanthimos, Bong Joon-ho and Sofia Coppola all have films in the main competition.
This year’s festival boasted ground-breaking cinematic experiments which offered reflections on our digital age.
by Sophie Monks Kaufman
Bold expressions of queer passion were on offer at the 31st edition of London’s premier LGBT film festival.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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