King Cohen – first look review | Little White Lies

Festivals

King Cohen – first look review

25 Feb 2018

Words by David Jenkins

Enormous winged creature with sharp talons gripping a human figure, against a backdrop of futuristic city skyline.
Enormous winged creature with sharp talons gripping a human figure, against a backdrop of futuristic city skyline.
The wild and crazy cinema of Larry Cohen receives the in-depth documentary treatment that this master director deserves.

You might like

Woman with blonde hair holding cocktail and tablet device showing video call, with another woman visible on right holding drink.
Festivals

A report from the bleeding edge of non-fiction film

by Rafael Fonseca

We document the exhilarating comings and goings on the ground at London’s second Creative Nonfiction Film Weekend.
Collage depicting crowd crossing street, person standing in large tent, clouds and sky in background, bold colours and geometric shapes.
Festivals

Time in the Flesh: A Queer East Correspondence

by Jae Huang, Soumya Sharma

In col­lab­o­ra­tion with the Queer East Film Fes­ti­val, our final pair from this year’s Emerg­ing Crit­ics programme reflect on their experience.
Two people in casual clothes, one wearing a red top, chatting outdoors; people sitting at tables indoors, some playing musical instruments.
Festivals

Temporal Sensibilities: Queering timelines and nostalgia

by Yuki Yoshikawa, Pear Nual­lak

In collaboration with the Queer East Film Festival, our second pair from the Emerging Critics cohort offer their thoughts on this year’s programme.
A collage of scenes from a film, including a man in traditional Japanese dress, a woman in a revealing dress, and various other characters in action.
Festivals

This Must Be the Place: A Queer East Correspondence

by Qinghan Chen, Lydia Leung

In collaboration with the Queer East Film Festival, this year’s Emerging Critics cohort offer their responses to the film programme.
Silhouette of a person seated on a bench in a misty, blue-toned environment.
Festivals

Resurrection – first-look review

by Hannah Strong

Bi Gan’s third feature is an epic in every sense of the word, taking viewers on a sprawling odyssey through cinema.
Man in a flat cap, wearing a brown coat, standing in a snowy street next to a parked car.
Festivals

The Mastermind – first-look review

by Hannah Strong

An art theft spells disaster for Josh O’Connor in Kelly Reichardt’s excellent Vietnam-era heist dramedy.