King Cohen – first look review | Little White Lies

Festivals

King Cohen – first look review

25 Feb 2018

Words by David Jenkins

Enormous winged creature with sharp talons gripping a human figure, against a backdrop of futuristic city skyline.
Enormous winged creature with sharp talons gripping a human figure, against a backdrop of futuristic city skyline.
The wild and crazy cin­e­ma of Lar­ry Cohen receives the in-depth doc­u­men­tary treat­ment that this mas­ter direc­tor deserves.

You might like

Two people in casual clothes, one wearing a red top, chatting outdoors; people sitting at tables indoors, some playing musical instruments.
Festivals

Temporal Sensibilities: Queering timelines and nostalgia

by Yuki Yoshikawa, Pear Nual­lak

In col­lab­o­ra­tion with the Queer East Film Fes­ti­val, our sec­ond pair from the Emerg­ing Crit­ics cohort offer their thoughts on this year’s programme.
A collage of scenes from a film, including a man in traditional Japanese dress, a woman in a revealing dress, and various other characters in action.
Festivals

This Must Be the Place: A Queer East Correspondence

by Qinghan Chen, Lydia Leung

In col­lab­o­ra­tion with the Queer East Film Fes­ti­val, this year’s Emerg­ing Crit­ics cohort offer their respons­es to the film programme.
Silhouette of a person seated on a bench in a misty, blue-toned environment.
Festivals

Resurrection – first-look review

by Hannah Strong

Bi Gan’s third fea­ture is an epic in every sense of the word, tak­ing view­ers on a sprawl­ing odyssey through cinema.
Man in a flat cap, wearing a brown coat, standing in a snowy street next to a parked car.
Festivals

The Mastermind – first-look review

by Hannah Strong

An art theft spells dis­as­ter for Josh O’Con­nor in Kel­ly Reichardt’s excel­lent Viet­nam-era heist dramedy.
A young woman wearing a red jacket and shorts stands in the middle of a crowd of people lying on the ground.
Festivals

The Wave – first-look review

by Rafa Sales Ross

Sebastián Lelio’s musi­cal take on Chile’s MeToo move­ment is a mis­judged gum-smack­ing mess.
A woman in a long, red floral dress stands in front of a building with a "Gym's" sign. A car is visible in the background.
Festivals

Honey Don’t! – first-look review

by David Jenkins

The sec­ond instal­ment of Ethan Coen and Tri­cia Cooke’s les­bian genre film tril­o­gy man­ages to just about snag a pass­ing grade.