by Xuanlin Tham
A young woman with a difficult home life discovers Riga’s rave scene in Matiss Kaza’s fourth feature.
The trials and tribulations of one couple’s relationship are under the microscope in Devorah Baum and Josh Appignanesi’s frustrating documentary.
Lam Sum’s Hong Kong-set Covid drama is tender but lacks incisiveness when it comes to the pandemic.
by Charles Bramesco
French Tahiti becomes a picturesque purgatory for a colonialist official in Serra’s panoramic latest.
by Guillermo De Querol
Before Good Time and Uncut Gems, the Safdies created an anxiety-inducing portrait of a deadbeat dad trying to keep it together.
by Henry Boon
The Purple People Eater is the latest in a host of seemingly innocuous tunes that have their association forever changed through horror films.
Male models, a massive cruise liner, and a whole lot of vomit herald the coming of Ruben Östlund’s latest.
by S. Farwah Rizvi
The BFI’s current retrospective of the Indian auteur’s cinema gave me chance to reconnect with my homeland while studying abroad.
by David Jenkins
Helena Wittman’s extraordinary seafaring anti-epic is a prime contender for the big prize at the 2022 Locarno Film Festival.
Debut director Julie Lerat-Gersant offers up a vivid character study of a pregnant teen who’s adamant to give up her baby.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.