by Jeremy Arblaster
As this Thomas Pynchon-inspired drama turns 10, its portrayal of post-war malaise still has an undeniable allure.
by Hannah Strong
Adam Driver and Greta Gerwig reunite as a couple grappling with their fear of death in Noah Baumbach’s adaptation of Don DeLillo’s novel.
by Sammi Gale
As Bodies Bodies Bodies hits cinemas, it’s time for a tour of the best (and worst) teen house parties on screen.
by Little White Lies
Dive in to the deceptively tranquil waters of Park Chan-wook’s sensational, genre-splicing detective yarn.
by Sean McGeady
Michael Flatley’s spy thriller is the latest in a grand tradition of vanity projects which are memorable for all the wrong reasons.
by Sam Moore
As The Thing turns 40, its place within Carpenter’s exploration of spiritual breakdown has never felt more prescient.
As Female Prisoner 701: Scorpion turns 50, Meiko Kaji’s feminist action heroines are as thrilling to watch as ever.
by Zoheir Beig
As Amazon’s latest Premier League doc airs, how much do these prestige football docs really tell us about the beautiful game?
by Charles Bramesco
He’s leading today’s wave of announcements concerning the ‘LFF Expanded’ programme of immersive art forms.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.