by Henry Boon
This year, one television series and one film have captured the highs and lows of working in a professional kitchen.
by Finlay Spencer
True to form, the elusive American auteur is taking his precious time over his forthcoming Bible epic.
by Charles Bramesco
Bertrand Bonello’s bouncing off the walls in this free-associative grab-bag of early lockdown anxieties.
The director’s cut, titled An Even Bigger Splash, will restore 70 minutes of footage cut from the film. To what effect?
by Kevin Bui
This chilly portrait of an all-American family is a fascinating and empathetic character study.
by Chloe Walker
Though largely forgotten today, Arthur Penn’s 1966 crime thriller remains a fascinating precursor to a filmmaking revolution.
He and Taylor Russell play lovestruck teen cannibals in the latest from Luca Guadagnino.
by Anton Bitel
Like its predecessors, 1992’s Police Story 3: Supercop offers plenty of thrills and spills – but with more political commentary.
by Michelle Krasovitski
Amidst Weird Al and werewolves, there was another boogeyman at TIFF this year: copyright law.
by Adam Woodward
The late French New Wave icon was affectionately sent up on the cult 1990s late-night show.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.