by Anton Bitel
Christmas Bloody Christmas is a Yuletide horror with a dark sense of humour and some killer robots.
by Charles Bramesco
Japanese theaters will get the animé master’s latest in June.
by Louis Rabinowitz
With the possibility of another strike looming, it’s a good time to look back at the causes and impact of the notorious 2007-08 WGA revolt.
by Adela Teubner
Jim Jarmusch’s swooning romance about two centuries-old vampires represented the love that I had been taught to believe was shameful.
As a restoration of the 1976 remake lands on home entertainment platforms, it’s a fascinating insight into the on-screen story of this iconic feature creature.
by Hannah Strong
Hosted in Reykjavík, the 35th edition of the European Film Awards saw top honours for Ruben Östlund’s satirical drama.
by Ben Schwartz
As Avatar 2: The Way of Water heads into cinemas, it’s worth reconsidering the strange, polarising world of 3D, and what it can bring to the big screen.
Alexander Skarsgård and Mia Goth star in the thriller set at a resort hiding an underside of depravity.
by James Hanton
His meta, slapstick turn in this widely-derided cartoon spin-off proves that Fraser isn’t afraid to laugh at himself, or Hollywood.
With a theatrical run scheduled for June, a première at Cannes seems all but assured.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.