by Alexandria Slater
By dredging up harmful stereotypes from the past, the film undermines its post-#MeToo feminist narrative.
by Ben Nicholson
A new retrospective at the London Korean Film Festival reveals the veteran actor’s rich and varied career.
by Charles Bramesco
The director is set to auction off never-before-seen scenes from Pulp Fiction, containing ‘secret’ content.
The “continuous, week-long sensory experience” luxuriates in the tropical vibes of the Australian shore.
by Paul Weedon
Black Rebel Motorcycle Club’s co-founder reflects on going head-to-head with director Paul Schrader.
The Thessaloniki International Film Festival offers a model for how modern festivals could and should be operating.
by Kitty Richardson
Unlike most possession-based pseudo-documentaries, this 2005 J‑horror delivers its biggest scares in broad daylight.
by James Morton
Director Mike Leigh emphasises the lack of connection between the characters, and British society as a whole.
Two of the UK’s preeminent heartthrobs will pool their dreaminess as the leads of Oliver Hermanus’ upcoming film.
The tale of redemption and prejudice won the Iranian director a Grand Prix at the Cannes première.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.