By David Jenkins
Swedish great Roy Andersson signs off with a majestically dour rumination on the meaning of everything.
By David Ehrlich
Sweden’s Roy Andersson offers a singular take on the human condition in this triumphant trilogy-closer.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.