By Mark Asch
In what could be his final film, Ken Loach fixes his gaze on a pub landlord in a town reckoning with a new population of Syrian refugees.
Ken Loach doubles down on his kitchen-sink shtick in this heavy-handed indictment of Britain’s gig economy.
Ken Loach’s latest polemic has a vital message that’s diluted by some heavy-handed direction.
The late Carol White is exceptional as a working class single mother in Ken Loach’s restored kitchen-sink drama.
All the heart and humour of a mainstream comedy-drama, with none of the tedious predictability.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
