by Marshall Shaffer
Alba Rohrwacher is a HR manager struggling to manage people and performance in Stéphane Brizé’s effective workplace drama.
50 years later, the world had changed very little in the latest documentary about labor organizing from legendary Barbara Kopple.
Paolo Strippoli’s horror-thriller take on a fairytale promise tests the audience’s patience.
Cédric Kahn employs a human-first approach to adolescent mental health in his effective drama.
Homeric queen, global pop star, magazine editor, aspiring novelist – Anne Hathaway has had an eventful 2026. Across the last quarter-century, she has emerged as the definitive actress of the millennial generation.
Kubrickian echoes reverberate throughout the Greek filmmaker’s oeuvre. With Bugonia, those connections are shaped into a singular package that transcends the sum of its homages.
Despite a compelling scenario, the characters in László Nemes’s third feature feel more like stand-ins for ideas than flesh-and-blood people.
Darren Aronofsky taps into his inner New Yorker with a solidly entertaining 1998-set crime thriller starring Austin Butler as his Hitchcockian wrong man.
From Mean Girls through to Are You There God? It’s Me, Margaret, the Canadian actress has become definable by her indefinability.
Liz Garbus’ compelling documentary details The New York Times’ coverage of Donald Trump’s first year in office.
Edgar Wright’s new film is a radical reinvention of a classic Hollywood genre.
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