by Mark Asch
Less a swansong and more a heronsong from the Japanese maestro Hayao Miyazaki, a mystical and ambitious message of hope for the future.
Taika Waititi's feel-good comedy about the plight of a hapless Samoan football team strives for nothing more than maintaining the status quo.
Nicolas Cage plays an otherwise unremarkable college professor who unexpectedly finds himself appearing in peoples' dreams in Kristoffer Borgli's latest satire.
More cinema of ominous discomfort from Kitty Green as she takes us to an out-of-the-way Australian boozer for some low-boiling violence.
In what could be his final film, Ken Loach fixes his gaze on a pub landlord in a town reckoning with a new population of Syrian refugees.
Taika Waititi is way-too eager to please with this aggressively feel-good comic fictionalisation of the lovely 2014 documentary of the same name.
The new film from one of Romania's foremost cine-ironists, Radu Jude, is a glorious, poisonous, everything-in-the-pot treatise on the state of the world today.
Ladj Ly’s follow-up to his Cesar award-winning Les Misérables is a hyperbolic state-of-the-nation address that lacks the logic and fire of that first feature.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.