by Laura Venning
Julia Jackman’s adaptation of Isabel Greenberg’s graphic novel is a charming, ambitious queer fantasy.
Clint Bentley and co-writer Greg Kwedar evoke the melancholy and grandeur of Terrence Malick in their adaptation of Denis Johnson’s best-selling novella.
Set in a Catholic school all-girls choir, Urška Djukić’s take on queer yearning and repression adopts a less obvious and more interesting approach to the familiar coming-of-age story.
An elite NYC matchmaker finds herself torn between money and love in Celine Song’s sophomore feature.
Andreas Dresen’s Nazi Germany-set biopic on resistance fighters Hilde and Hans Coppi fails to do their story justice.
Anchored by a talented cast clearly having the time of their lives, Andrew Ahn’s new banquet is a bit of a treat.
A delicate study of human interaction in a space where the urban and the natural collide from director Bas Devos.
Vicky Krieps and Gaspard Ulliel play a couple grappling with a life-altering illness in Emily Atef’s sensitive but slight drama.
Maria Schrader tackles the New York Times investigation that brought down Harvey Weinstein in this well-pitched drama.
Jim Archer expands on his 2017 short film about an eccentric Welsh inventor and his robot companion with a feature-length adaptation.
The return of an old friend causes tension between members of a fishing family in Antoneta Alamat Kusijanović’s assured debut.
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