by David Jenkins
Ahead of its release on MUBI, we explore how hints of Francis Ford Coppola’s Megalopolis can be seen in a number of the filmmaker’s past classics.
Albert Serra captures the ritualistic violence and resplendent beauty of bullfighting in his magnetic, complex documentary about matador Andrés Roca Rey.
The second instalment of Ethan Coen and Tricia Cooke’s lesbian genre film trilogy manages to just about snag a passing grade.
Paolo Sorrentino’s latest tries to recapture the unruly political bite of his early films, with mixed results.
A novel but ultimately unsatisfying look at the life and art of Eminem through the eyes of his most obsessive fans.
This superior screwball heist sequel headed up by Sam Rockwell demonstrates a wicked funny bone.
Another animated incarnation of Peyo’s beloved, blue Belgian beauties; unfortunately Chris Miller’s film absolutely sucks.
The industrious and passionate Greek filmmaker on her subtly apocalyptic new work, Harvest.
Jonás Trueba’s wry and articulate neo-screwball relationship comedy sees a couple organising a party for their impending break-up.
Rebecca Lenkiewicz adapts Deborah Levy’s best-selling novel, but the result is lacklustre.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.