by Bekzhan Sarsenbay
This portrait of an icon passes the time without revealing much about its subject.
Jafar Panahi’s second film made under house arrest is a riveting meditation on censorship and defiance.
Crass gross-out and empty nostalgia fuel this garbled road-trip comedy to the vaunted Walley World.
From Dr No to Skyfall, Bekzhan Sarsenbay explores the trends and motifs of a movie institution.
A subtle and nuanced range western set in the Middle East during the late Ottoman period.
His role as good-ol’-boy Conrad Vig is one of the great examples of directors acting.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.