by Adam Woodward
Gary Oldman puts in a career-best shift in this gripping story of duplicity and paranoia.
Pedro Almodóvar’s latest is an intoxicating elixir of dark fantasy, sick obsession and all-consuming desire.
Jon Favreau’s genre mash-up is yet another underwhelming summer brouhaha that fails to up the ante.
A pure, wonderfully animated story of friendship against the odds from an emerging animé voice.
An ejaculatory mess that seeks to medicate its audience with a glut of whizz-bang spills and vein-bulging fist pumps.
A highly-fetishised, hyper-surreal teenage Twin Peaks that’s undone by its own excesses and a lack of narrative clarity.
Any intrigue established in Hanna is smothered by a director unable to overcome his own art house ambitions.
Kelly Reichardt’s boldness in eschewing a sprawling retelling of how the West was won should be applauded.
Duncan Jones has hit the ground running, but there’s no need for Nolan to watch his back just yet.
Newcomer Hailee Steinfeld steals the show from right under Jeff Bridges’ nose in the Coens’ deliciously salty western.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.