by Adam Woodward
The American director of The Descendants talks about finding paradise in his own backyard.
Madonna’s lavish retelling of a 20th century scandal is little more than a kitsch vanity project.
Steven Soderbergh rallies together another strong A‑list ensemble, but the result is surprisingly lacklustre.
A strange sort of hybrid, wounded by the internal tensions between what it might be.
Steve McQueen’s erotically-charged descent into sex addiction is by turns raw, elegant and uncompromising.
David Fincher can only slather high-grade attention-grabbing gloss onto Stieg Larsson’s crude pseudo-feminist turd.
More metaphorical tact would turn Take Shelter from a brisk gale to a force five.
The legendary Spanish filmmaker throws open the doors of his Madrid work space to the hungry eyes of LWLies.
Midnight in Paris isn’t a clutch at yesteryear; it’s a statement that Allen still has something left to say.
Tom Hardy and Joel Edgerton star in this rousing, fiercely acted tale of sibling bonds bruised and bandaged.
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